MUSIKAHAZI 2013-2014 – Concierto didáctico-2013-2014

Pelleas y Melisande

Conservatorio de Música J.C. Arriaga. Bilbao.   11:30 h.

Jean Sibelius, música
Ana Hernández, Belén Otxotorena, J.C. Díaz de Cerio y Uxue Uriz,  autores

Bilbao Orkestra Sinfonikoa
Asier Puga,director
Belén Otxotorena,  narración


  • 12 March 2014       Conservatorio de Música J.C. Arriaga. Bilbao      11:30 h.
  • 13 March 2014       Conservatorio de Música J.C. Arriaga. Bilbao      11:30 h.
  • 14 March 2014       Conservatorio de Música J.C. Arriaga. Bilbao      11:30 h.

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Los tradicionales conciertos didácticos de la BOS están dirigidos a los centros escolares de Bizkaia. Se realizan en horario lectivo y tienen lugar en el Conservatorio J.C. Arriaga ,
colaborador en este ciclo. Las casi 4.000 plazas ofertadas se adjudican por orden de inscripción en las fichas que enviamos cada año a los centros.

Edades: 7-10 años

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Season 2020-2021
>Teatro Arriaga. LOS NIBELUNGOS – La muerte de Sigfrido

Teatro Arriaga. LOS NIBELUNGOS – La muerte de Sigfrido

Place: Teatro Arriaga Antzokia Bilbao

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Orchestra: Bilbao Orkestra Sinfonikoa – BOS.
Director: Nacho de Paz.


In 1924, Fritz Lang undertook one of his most ambitious film projects: Los nibelungos, inspired by the epic poem “The song of the Nibelungs” and comprised up of the films The death of Siegfried and The revenge of Kriemhild. Arriaga Theatre and the Bilbao Orkestra Sinfonikoa offer a special concert in which the BOS, conducted by Nacho de Paz, performs the music from the first of the two films in this project, The death of Siegfried (in the original “Siegfried Tod”), while the film is projected on a giant screen.

Larger than life, inspired by mediaeval Norse legends and enriched by the striking imagery of German expressionism, The death of Siegfried is a monumental performance. On presenting the story of Siegfried, Fritz Lang took full advantage of cinematic innovations and the creative vision of the artists of the production company Decla-Bioscop. The imposing trees, the treasure-filled caves, and the seventy-foot dragon were built to life-size scale in the studio’s workshops. Special effects technicians devised new formats and optical tricks when the perspective of the action was too immense to be reduced to the confines of a studio. The result – Siegfried – astounds, not only for re-narrating the intriguing 13th-century legend but also for the magical technical resources that brought it to life 700 years later.

Considered a masterpiece of German silent films, its soundtrack was composed by Gottfried Huppertz, whose music we were able to enjoy not long ago at the Arriaga in the concert-screening of Metropolis. His composition adds to the scenes as well as the characters. Barely three years after the centenary of its premiere, with the film restored and thanks to the recovery of the score preserved in the German Cinematex, we can now see this jewel of cinema on the big screen of Arriaga Theatre together with a live orchestra.

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